The Darker Side > Human Monsters

Elizabeth Bathory "The Blood Countess"

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Rainbow:
I was really amazed with the story of this woman, if you could call her human. Elizabeth Bathory also know as "Blood Countess" and as the "Bloody Lady of Čachtice".  <^>

Elizabeth Báthory was born on a family estate in Nyírbátor, Kingdom of Hungary, and spent her childhood at Ecsed Castle. Her father was George Báthory of the Ecsed branch of the family, a brother of Andrew Bonaventura Báthory, who had been Voivod of Transylvania, while her mother was Anna Báthory (1539–1570), daughter of Stephen Báthory, another Voivod of Transylvania, of the Somlyó branch. Through her mother, she was the niece of Stefan Báthory, King of Poland.


Married life

At the age of 15, Báthory was engaged to Ferenc Nádasdy and moved to Nádasdy Castle in Sárvár, Kingdom of Hungary. In 1575, she married Nádasdy in Varannó. Nádasdy’s wedding gift to Báthory was his home, Čachtice Castle, situated in the Little Carpathians near Trencsén, together with the Čachtice country house and 17 adjacent villages. The castle itself was surrounded by a village and agricultural lands, bordered by outcrops of the Little Carpathians. In 1602, Nádasdy finally bought the castle from Rudolf II, so that it became a private property of the family.

In 1578, Nádasdy became the chief commander of Hungarian troops, leading them to war against the Ottomans. With her husband away at war, Elizabeth Báthory managed business affairs and the estates. That role usually included providing for the Hungarian and Slovak peasants, even medical care.

During the height of the Long War (1593-1606), she was charged with the defense of her husband's estates, which lay on the route to Vienna. The threat was significant, for the village of Čachtice had previously been plundered by the Ottomans while Sárvár, located near the border that divided Royal Hungary and Ottoman occupied Hungary, was in even greater danger.

She was an educated woman who could read and write in four languages. There were several instances where she intervened on behalf of destitute women, including a woman whose husband was captured by the Turks and a woman whose daughter was raped and impregnated. She was interested in science and astronomy.

Her husband died in 1604 at the age of 47. His death is commonly reported as resulting from an injury sustained in battle.


Arrest

Early investigation
Between 1602 and 1604, Lutheran minister István Magyari complained about atrocities both publicly and with the court in Vienna, after rumors had spread.

The Hungarian authorities took some time to respond to Magyari's complaints. Finally, in 1610, King Matthias assigned Juraj Thurzo, the Palatine of Hungary, to investigate. Thurzo ordered two notaries to collect evidence in March 1610. Even before obtaining the results, Thurzó debated further proceedings with Elizabeth's son Paul and two of her sons-in-law. A trial and execution would have caused a public scandal and disgraced a noble and influential family (which at the time ruled Transylvania), and Elizabeth's considerable property would have been seized by the crown. Thurzo, along with Paul and her two sons-in-law, originally planned for Elizabeth to be secreted to a nunnery, but as accounts of her murder of the daughters of lesser nobility spread, it was agreed that Elizabeth Báthory should be kept under strict house arrest, but that further punishment should be avoided. It was also determined that Matthias did not have to repay a large debt for which he lacked sufficient funds.


Arrest and trial

Thurzó went to Čachtice Castle on 30 December 1610 and arrested Báthory and four of her servants, who were accused of being her accomplices. Thurzó's men reportedly found one girl dead and one dying. Another woman was found wounded, others locked up.

While the countess was put under house arrest (and remained so from that point on), King Matthias requested that Elizabeth be sentenced to death. However, Thurzo successfully convinced the King that such an act would negatively affect the nobility. Hence, a trial was postponed indefinitely.

The countess' associates however were brought to court. A trial was held on 7 January 1611 at Bytča, presided over by Royal Supreme Court judge Theodosious Syrmiensis de Szulo and 20 associate judges. Bathory herself did not appear at the trial.

The defendants at that trial were Dorota Szentes, also referred to as Dorka, Ilona Jó, Katarína Benická, and János Újváry ("Ibis" or Ficko).

Dorka, Ilona and Ficko were found guilty and put to death on the spot. Dorka and Ilona had their fingernails ripped out before they were thrown into a fire, while Ficko, who was deemed less guilty, was beheaded before being consigned to the flames. A public scaffold was erected near the castle to show the public that justice had been done. Katarína Benická was sentenced to life imprisonment, as she only acted under the domination and bullying by the other women, as implied by recorded testimony.


Last years and death

During the trial of her primary servants, Báthory had been placed under house arrest in a walled up set of rooms. She remained there for four years, until her death.

King Matthias had urged Thurzo to bring her to court and two notaries were sent to collect further evidence, but in the end no court proceedings against her were ever commenced.

On 21 August 1614, Elizabeth Báthory was found dead in her castle. Since there were several plates of food untouched, her actual date of death is unknown. She was buried in the church of Čachtice, but due to the villagers' uproar over having "The Tigress of Čachtice" buried in their cemetery, her body was moved to her birthhome at Nagyecsed in Kingdom of Hungary, where it is interred at the Báthory family crypt.


Accusations
In 1610 and 1611 the notaries collected testimonies from more than 300 witness accounts. Trial records include testimonies of the four defendants, as well as 13 more witnesses. Priests, noblemen and commoners were questioned. Witnesses included the castellan and other personnel of Sárvár castle.

According to these testimonies, her initial victims were local peasant girls, many of whom were lured to Čachtice by offers of well-paid work as maidservants in the castle. Later she is said to have begun to kill daughters of lower gentry, who were sent to her gynaeceum by their parents to learn courtly etiquette. Abductions were said to have occurred as well. At the trial there were accusations of pagan practices and witchcraft.

The descriptions of torture that emerged during the trials were often based on hearsay. The atrocities described most consistently included:

severe beatings over extended periods of time, often leading to death.
burning or mutilation of hands, sometimes also of faces and genitalia.
biting the flesh off the faces, arms and other bodily parts.
freezing to death.
surgery on victims, often fatal.
starving of victims.
sexual abuse.
The use of needles was also mentioned by the collaborators in court.

Some witnesses named relatives who died while at the gynaeceum. Others reported having seen traces of torture on dead bodies, some of which were buried in graveyards, and others in unmarked locations. According to testimonies by the defendants, Elizabeth Báthory tortured and killed her victims not only at Čachtice but also on her properties in Sárvár, Sopronkeresztúr, Bratislava, (then Pozsony, Pressburg), and Vienna, and even between these locations. In addition to the defendants, several people were named for supplying Elizabeth Báthory with young women. The girls had been procured either by deception or by force. A little-known figure named Anna Darvulia was also suspected to have influenced Báthory, having made it her business to know everything about the girls Báthory employed, as well as insisting that she only took girls 'who have not yet tasted the pleasures of love'. Darvulia died long before the trial.

The exact number of young women tortured and killed by Elizabeth Báthory is unknown, though it is often speculated to be around 650, between the years 1585 and 1610. The estimates differ greatly. During the trial and before their execution, Szentes and Ficko reported 36 and 37 respectively, during their periods of service. The other defendants estimated a number of 50 or higher. Many Sárvár castle personnel estimated the number of bodies removed from the castle at between 100 to 200. One witness who spoke at the trial mentioned a book in which a total of over 650 victims was supposed to have been listed by Báthory herself. This number became part of the legend surrounding Báthory. Reportedly, diaries in Báthory's hand are kept in the State Archives in Budapest. Supposedly the diaries are difficult to read due to the condition of the material, the old language, the hand-writing and the horrific content.

László Nagy has argued that Elizabeth Báthory was a victim of a conspiracy, a view opposed by others. Nagy argued that the proceedings were largely politically motivated. However the conspiracy theory is consistent with Hungarian history at that time.


Folklore, literature and popular culture

The case of Elizabeth Báthory inspired numerous stories during the eighteenth and nineteenth centuries. The most common motif of these works was that of the countess bathing in her victims' blood in order to retain beauty or youth.

This legend appeared in print for the first time in 1729, in the Jesuit scholar László Turóczi’s Tragica Historia, the first written account of the Báthory case. At the beginning of the nineteenth century, this certainty was questioned, and sadistic pleasure was considered a far more plausible motive for Elizabeth Báthory's crimes. In 1817, the witness accounts (which had surfaced in 1765) were published for the first time, demonstrating that the bloodbaths, for the purpose of preserving her youth, were legend rather than fact .

The legend nonetheless persisted in the popular imagination. Some versions of the story were told with the purpose of denouncing female vanity, while other versions aimed to entertain or thrill their audience. The ethnic divisions in Eastern Europe and financial incentives for tourism contribute to the problems with historical accuracy in understanding Elizabeth Bathory. During the twentieth and twenty first centuries, Elizabeth Báthory has continued to appear as a character in music, film, plays, books, games and toys and to serve as an inspiration for similar characters.
:evil:

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